Emma Watson
MoviesEmma Charlotte Duerre Watson (born April 15, 1990) is a British actress who played Hermione Granger in the Harry Potter films Harry Potter and the Philosopher's Stone (2001) and its sequels Harry Potter and the Chamber of Secrets (2002) and Harry Potter and the Prisoner of Azkaban (2004).
Watson, who was born and raised in the city of Oxford, was named after a close family friend (or relative, according to some sources) of the same name. She began showing interest in acting as soon as she entered school and began to participate in several plays, a poetry competition, and even on a video production they made. However, she had no professional acting experience prior to her being cast as Hermione.
She has most recently starred in Harry Potter and the Prisoner of Azkaban, which opened in June 2004. After its start Emma Watson became, according to the Lycos Top 50 , the most popular "Potter Star" – she made place 8 in the list of the most searches. There is no other star of the Potter movies within the top 50.
As a result of her critically acclaimed performance in The Chamber of Secrets, on 14 January 2003, she won the award for "Best Performance by a Youth in a Lead or Supporting Role - Female" in the Phoenix Film Critics Awards [1] .
A myth that she is known to her family as "Emma Watson (II)" came about through her being included in the Internet Movie Database under that name. The Roman numeral simply indicates that she was the second actress named Emma Watson in their database.
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In Jane Austen's classic novel Pride and Prejudice, the arrival of a young, well-off, eligible man named Mr. Bingley sends the Bennet household--with five girls of a marrying age--into a tizzy. But it's the introduction of Mr. Bingley's friend, Mr. Darcy (played with an imperious scowl by David Rintoul), that sets in motion the fate of Elizabeth Bennet (the adorable Elizabeth Garvie), resolved only after a labyrinth of social and personal complexities. Austen's novels are miracles of skillful plotting, fusing a rich understanding of psychological motivation with whimsical turns of chance. This superb BBC adaptation from 1980 zips along, thanks to lively performances, fluid direction, and a keen grasp of the wit of Austen's dialogue (expertly translated to the screen by British novelist Fay Weldon) and her satirical characters, who range from clever and kind to utterly odious. Due to its faithfulness and deep appreciation of the material, this five-episode miniseries stands up against any other film or television adaptation (at least nine to date), though Rintoul may not sets hearts aflutter the way Colin Firth did in the also excellent 1995 miniseries. --Bret Fetzer
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In the mid and late 1980s, Def Leppard was the biggest-selling rock band around, and the two programs on this DVD collection hark back to the British quintet's commercial heyday. Historia is an 85-minute look at the band's videos circa 1980-1988, from its debut, "Hello America," to its huge radio hits "Pour Some Sugar on Me" and "Love Bites." These videos, either silly "concepts" or lip-synched performances, are par for the early-MTV course. In the Round, in Your Face is a 90-minute concert culled from the 1988 Hysteria world tour; the excited fans are as much the show as the band, especially when hit after hit, from the opening "Stagefright" to the closing "Photograph," is played. --Kevin Filipski
Some movie-loving wizards must have cast a magic spell on Harry Potter and the Prisoner of Azkaban, because it's another grand slam for the Harry Potter franchise. Demonstrating remarkable versatility after the arthouse success of Y Tu Mamá También, director Alfonso Cuarón proves a perfect choice to guide Harry, Hermione, and Ron into treacherous puberty as the now 13-year-old students at Hogwarts School of Witchcraft and Wizardry face a new and daunting challenge: Sirius Black (Gary Oldman) has escaped from Azkaban prison, and for reasons yet unknown (unless, of course, you've read J.K. Rowling's book, considered by many to be the best in the series), he's after Harry in a bid for revenge. This dark and dangerous mystery drives the action while Harry (the fast-growing Daniel Radcliffe) and his third-year Hogwarts classmates discover the flying hippogriff Buckbeak (a marvelous CGI creature), the benevolent but enigmatic Professor Lupin (David Thewlis), horrifying black-robed Dementors, sneaky Peter Pettigrew (Timothy Spall), and the wonderful advantage of having a Time-Turner just when you need one. The familiar Hogwarts staff returns in fine form (including the delightful Michael Gambon, replacing the late Richard Harris as Dumbledore, and Emma Thompson as the goggle-eyed Sybil Trelawney), and even Julie Christie joins this prestigious production for a brief but welcome cameo. Technically dazzling, fast-paced, and chock-full of Rowling's boundless imagination (loyally adapted by ace screenwriter Steve Kloves), The Prisoner of Azkaban is a Potter-movie classic. --Jeff Shannon
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Tackling an entire decade--and a turbulent one at that--within a three-hour movie is a challenge, and while
The '60s is frequently entertaining, it unfortunately is not completely up to the task. Following the lives of four young people, three from a white suburban family with parents out of
The Wonder Years and one African American from the South, the characters are forced into one-dimensional clichés; they are their personas to the nth degree. Katie (Julia Stiles), the pretty young blond, is the lost hippie; Brian (Jerry O'Connell), the former high school football player, is the gung-ho-turned-disgruntled Vietnam solider; Michael (Josh Hamilton) exemplifies the political activist; and Emmet (Leonard Roberts), the only representative of the entire black movement of the '60s, plays first the pacifist who effects change through nonviolent means and then the Black Panther, and then he finally returns to his nonviolent ways. Yet, despite the trite characters and slow beginning, the movie picks up pace as each becomes involved in his or her own story. They become strangely compelling, to the point where you are sorry when the story switches to another character because you want to see more.
An eclectic shooting style--a mixture of archival footage, seamlessly spliced with shots of the miniseries in black and white, which then becomes color--effectively places the characters in the '60s context. You can believe that these folks were at the Democratic Convention in Chicago or the Watts riots or Woodstock. Yet, sometimes a break is needed: the film is unrelenting in presenting crisis after crisis with no respite, making one wonder if there were any quiet, simple, or nice moments in the entire decade. The sentimental soundtrack plays continuously, helping set the appropriate tone and the frenetic atmosphere of the movie. For those who lived through the '60s, this miniseries provides a nostalgic look back at the various movements and a general feel of the time, especially with the proliferation of film clips that aren't oft repeated (we've all seen the moon landing ad nauseam, but footage of Abbie Hoffman or Dylan playing the club scene in the East Village is refreshing). And for those born after this period, this miniseries makes the decade look like a frenzied, troubled mess that we can be grateful we had the good fortune to miss. --Jenny Brown
